The Young Ones: Witchcraft’s Glamorous New Practitioners


Nancy (Fairuza Balk), teen witch in The Craft

Remember after The Craft came out in the late 1990s? It seemed like half the teenage girls you met wanted to be witches. It was a bit silly but also kind of cool. Witches who’d started practicing in the 1980s, after writers and publishers started answering to the growing interest with books that aided the movements development of a common lingo (like Margot Adler’s Drawing Down the Moon, Starhawk’s The Spiral Dance, and Marion Zimmer Bradley’s The Mists of Avalon, a sociological survey, a goddess-worshipping primer, and a feminist Arthurian novel, respectively, all published with one three year stretch), mostly welcomed the new generation of witches, though there was a bit of concern that there was less focus on reading and more on imitating Hollywood imagery. Witch fashion was never the same after The Craft, then came Xena: Warrior Princess (perhaps one of the most influential costume aesthetics ever, now shamelessly imitated in movies and TV), and Buffy the Vampire Slayer and Practical Magic and the witchy media darlings just keep coming.

At the time of The Craft‘s premiere, in 1996, witchcraft and paganism were also just beginning to have a wider presence on the internet, thanks in large part to The Witches’ Voice, a news and networking site founded by Fritz Jung, Wren Walker and, to a lesser extent, little old me. Originally formed in response to cases of discrimination against pagans and witches, the Witchvox site, which saw millions of hits a month and was profiled in major news magazines like Wired, is no longer the hub of activity it once once, as social media has largely taken over the interactive functions it once had (though the networking information is still there and the entire archive of articles is still there). Witchvox also started a Facebook page where news stories are posted, and the outreach is still huge, even if the comments section, on a good day,  can make you feel like reaching for some chamomile tea and a big chunk of hematite.

In recent years, witchcraft as a trend in fashion, TV or other areas of culture has come and gone, but in 2018, twenty years and one generation after that Craft-borne tsunami, witchcraft is again a huge phenomenon. At some point when we weren’t looking, witchcraft became all trendy again…and quite shallow, apparently. It used to be about devouring books on mythology, folklore, magic, nature and comparative religion. Now, as this recent article in Allure demonstrates, it’s all about self-care and crystals and Instagram. The article offers some interesting links for more info, and some good dispelling of misconceptions. But I found myself intrigued by the fact that the kinds of “myths” that apparently need dispelling today are very different from the ones we needed to dispel in the 1990s.

For example, one myth the author (Sophie Saint Thomas) explores is that “your witchcraft should be Instagram-ready.” Reading this, I appreciated the caveat that witchcraft was not necessarily for public consumption, nor did it have to be a picture-perfect layout fit for a magazine. But this concern about how one’s spiritual practice looks on social media is a far cry from busting the myth that “witches worship the devil” which was the number one thing we were having  to debunk twenty years ago. Being a witch is now mainly an expression of self or persona to be consumed by others, instead of a practice for self-transformation or method of engaging more deeply with nature. Some “Wiccans” might be appalled to see very little emphasis on, or even mention of, gods and goddesses in the media mentions of the witchcraft trend.

There is also not much mention of the “pagan community,” because witchcraft these days is now more of a solitary activity shared with others via digital photos (echoing the days in the 1990s when people who felt isolated from other like-minded practitioners and afraid to be too public about their witch identities welcomed the opportunity to network online with other witches in their areas so they could meet up in person; imagine!) Gotta say though: given the infiltration of racists and other jerks into the online pagan community these days, I’m feeling like the Instagram witches are smart to keep things more individualized, even if much of the visual representation of today’s witchcraft feels fairly homogenized. The aesthetic is Goth-meets-Goop-meets-Magnolia Pearl.

How are us “old timers” and Gen X witches feeling about this burgeoning social media witchcraft trend (nicely outlined in this article from 2016)? The positivity is good. The visibility is helping normalize what many still see as a fringe religion or strange hobby. But is the lack of awareness of, or interest in, the pagan movement’s history a problem?


‘The Magic Circle’ by John William Waterhouse

I recall wanting to learn everything I could about the beginnings of the witchcraft movement, starting with Wicca, and Gardner, and eventually exploring the roots of what he cobbled together to create what we now know as modern pagan witchcraft. Historians and academics like Ronald Hutton, Diane Purkiss, Tanya Luhrmann and others have lent an air of legitimacy to the movement’s rich and complex underpinnings. Bu that was back when people were reading books. A lot. As the cyber landscape changed, pagans engaged: in newsgroups (remember those?), on MySpace, on Livejournal, in blogs, on podcasts (which died out for a bit but now are back with a vengeance).

And now, many witches and pagans get their information from social media memes on Facebook and threads on Twitter, ideas on Pinterest, influencers on Instagram, poems and art on Tumblr, and other electronic platforms I’m probably too old and out of touch to know about. (I’m only half kidding; your media witch is relatively tech-savvy, but I miss the days when journaling and reading books and writing out spells in calligraphy were my main interactions with the words of witchcraft).


A Beltane fertility circle in The Wicker Man (1973)

For the witches of the zeitgeist are young. They’ve seen The Craft, but not Rosemary’s Baby or The Wicker Man. They’re more likely to be seen at a “burn” than a Renaissance faire. They’re not reading books by Starhawk or Scott Cunningham, but they are reading Witches, Sluts, Feminists and other tomes about witchcraft as activism (which is good). They may not be environmental activists, but they’re quite possibly vegan. And the spokespeople of this new movement seem to be part of that generation known as “millennials” (a word I don’t really like to use, as it feels vague and dismissive).

There’s nothing wrong with passing the torch to a new generation (it’s happened several times since Wicca first made its way over to the US in the 1950s;), but in my experience the pagan community’s tendency to value the contributions of every generation seems to be less of a thing now. The emphasis is on youthful energy and glamour. Even the stunning magazine out of the UK, Sabat, in its “Crone” issue, featured photos of women who were all obviously under the age of 30, and essays penned mostly by women younger than 40. I recall being relatively uninterested in the crone archetype before I turned 50 (which wasn’t very long ago, my lovelies), but also maybe afraid of it, and to give Sabat its due, the “Crone” issue does a fair job of meditating and speculating on what is to come in the autumn years of the witch, making up for what it lacks in more authentic narratives or images. The excitement surrounding this beautifully-produced magazine extends to other artistic permutations of the current witchcraft craze, like online magazines LunaLuna  and Faerie, or podcasts like The Witch Wave and Down at the Crossroads.

So where is this going? Where should it go? What pagan and witch voices and people do you follow? What would you like to see more of?


Rachel True from THE CRAFT is a tarot reader!


Neve Campbell, Fairuza Balk and Rachel True from THE CRAFT

Wow, file this under things I didn’t know until today. Pam Grossman‘s new podcast “The Witch Wave” has had some terrific guests in its brief incarnation so far, and this week her show features an interview with Rachel True, who played Rochelle in that infamous 1996 film about teenage witches, THE CRAFT.

Rochelle’s character was iconic for being one of the rare portrayals of a person of color practicing Wicca-style witchcraft in contemporary cinema. Turns out that, like actress Fairuza Balk, who opened an occult shop in Los Angeles called Pan Pipes (I went there once and bought a tee  shirt!) not long after the film was released, Rachel also has maintained and nurtured her interest in things magical. I love when life imitates art, especially when witches are involved!


Rachel True, then and now

Pam posted a teaser of this recent episode on Instagram:

I’m so excited about the NEW EPISODE of The Witch Wave! It features the delightful and insightful Rachel True of True Heart Tarot and the iconic 1996 witch movie, THE CRAFT. Rachel discusses the transformative power of tarot, acting as magic, her love of voodoo queen Marie Laveau, and what is was like starring in a cult witchcraft film as its sole character of color. I also discuss good ways to deal with Mercury Retrograde (something we could all use right now!) Have a listen on iTunes, Stitcher, Google Play, RSS, or on

Check out the episode and the previous ones archived; this podcast is full of wonderful surprises on a regular basis. And also be sure to check out Pam’s long-running website of occult arts and fascination, Phantasmapile.

The Five Elements: Berta Daniels, Photographer

(The Five Elements is a series of short interviews with pagan artists and creators. I am proud to introduce my long time friend Berta Daniels, photographer, writer, and all-around creatrix of things beautiful, delicious and magical, in the first installment of this series.)

On wearing our ancestors’ colors, cookie cutter beauty, Star Wars and being a dragon…

berta2017Berta is a fine art photographer whose work often focuses on people and nature. She began shooting a series of outdoor nudes with friends and acquaintances a number of years ago and that exploration recently culminated in her fine art photography book Crossroads. It contains dozens of color and black and white photographs, beautifully curated and with a written introduction detailing her journey through this work and its connection to how crossroads are defined in a pagan context. I was one of many models who took part in the process, and am pleased and honored to have had an image of me chosen for it, along with many friends and community members. It’s a stunning book. I spoke with Berta about it in November while visiting rural western Massachusetts during the annual Franklin County Cider Days.


Cover of CROSSROADS; photo by Berta A. Daniels

Every Five Elements interview is based on this simple five-part question: How do you see the five elements as they relate your work as an artist? Air, fire, water, earth and spirit?


I see the elements of air in my work and in my life as being about concepts, ideas and spoken words. And how words have power, so that when you speak them aloud they take on a life of their own, which is the beginning of manifestation. And with photography, it’s all about vision, which is conceptual. It’s about how people see the world and how I view the world. Photography is a window into the way I view people and beauty, that whole left brain kind of thing.


Fire is the passion that drives my work. It’s what lights you up inside and makes you do shit! (Laughter) Life is the passion in your life, it’s what helps us to get rid of the unnecessary and heats us up and connects us with the life force energy. (nonchalantly) And well, I’m a dragon, so you know that’s all about fire. [Peg: So you wanna expound on that “I’m a dragon” statement? Berta: (evil laughter) No.]


First of all, our physical bodies are made mostly of water, and so we’re ruled by the moon and the tides, even people who are landlocked. And I also see water as reflecting our emotional state and how we relate to beauty in the world. And I feel like a lot of my work is kind of busting the myth of beauty in our culture, because there is a very cookie-cutter aesthetic that commercial society wants us all to have, about being thin and looking a certain way and not being too ethnic, and I think that’s bullshit! (laughs) People should celebrate who they are instead of trying to fit into some norm.


Earth is of course the physical body. It’s about being in nature, how we relate to our planet. and how being in nature helps to heal us as people, being in our natural state. But it’s also where the ancestors live (and it’s that time of year) and how we reflect our ancestors in the way we look, literally, as I sometimes say when I invoke them, we wear their colors, literally, as our skin and our hair, we speak with their voice through us sometimes. And part of celebrating our physical bodies is also celebrating the ancestors, because they have become us, in a way.


Spirit is our connection to what I call the life force energy that runs through us all and everything , which I know is very Star Wars, but oh well, they kind of got it right. But they think it only belongs to some people, but actually it belongs to all of us. The life force energy is sex and creation and spirit, it’s what lives on beyond us, beyond the physical body. And it’s actually what makes people beautiful. Sex and sexuality isn’t just what our society thinks of, being all down and dirty with somebody. Procreation is what makes the world go around, it’s plants and animals and seeds and all of life.

Tuesday Muse, News & Reviews! (Imbolc 2018 edition)

Imbolc is nearly here. Whether you call it Imbolc, Imbolg, Lady Day or Candlemas, it’s a winter pagan festival that’s sort of like a bookmark, reminding us we’re still in the middle of the story that is winter, but that spring is coming soon. Of course the Groundhog Day folklore is the familiar context for most folks; I wrote about that for The Witches’ Voice, some years ago. After a nice January thaw, it’s grown cold here again in upstate NY, and light snow is falling. Perfect time to contemplate how to spend the rest of the winter and prepare for spring. Maybe I’ll spend some time poring over my seed and plant catalogs tomorrow! Good preparation for ritual, gathering imagery…

This week there’s been some interesting news in the world of witchy media. First up, there is going to be a reboot of the TV series Charmed. I know, it seems like the show only ended fcraftairly recently (2006) after a very impressive eight seasons. But it’d be stupid for the CW network to fail to capitalize on the witchcraft craze permeating millennial culture in social media these days. Supposedly this reboot will have a “feminist” tone; and interestingly, two of the original actresses (Holly Marie Combs and Shannen Doherty) have already made some negative comments in news media about the planned revival. Personally, I’d like to see a reboot remain a bit more true to the original inspiration for Charmed, the film The Craft (1997), which is also getting a reboot (okay, a sequel). Both these projects will be set in the present day, so if you were hoping for some cool 1990s era gothwear, you may be disappointed. But for your weekly viewing parties, you can wear whatever you want!



Nancy (Fairuza Balk) before her transformation into Goth Princess from Hell…


In related news, the popular CW series Riverdale, based (rather loosely, I gotta say) on the original “Archie” comics, will be spinning off a series about “Sabrina the Teenage Witch,” recently revived in comic book form for contemporary readers. However, the new series proposed for Netflix will be based on “The Chilling Adventures of Sabrina,” from the Archie comics horror imprint (right??!? who knew?), and will have a very dark and subversive approach, maybe even a Satanic vibe (some stories name-drops Rosemary’s Baby and The Exorcist as inspirations for the show’s stylings).  Given how beautifully Riverdale has reinvented the “Archie” franchise for the current era (more diverse, more sexually charged, and with a somewhat creepy Twin Peaks-esque quality), I am looking forward to seeing how the Sabrina series turns out.


Sabrina Light?



Sabrina Dark?

There are two new films due out soon that are making my media witch heart (I do have one, you know) go pitter pat. First, The Ritual, a new film coming to Netflix (February 9th). It’s a sort of modern folk horror tale (based on a novel that is apparently very scary) that seems to nod to The Blair Witch Project and maybe winks a bit to The Witch, too (as well as Haxan, since it is set in the Swedish countryside). This preview piece from Refinery29 asks some interesting questions about the film’s gender dynamics and basis in witchy folklore.

The second one is new from the no-longer-fledgling studio, A24, that has been turning out all sorts of great films (most recently Ladybird and The Florida Project). They brought us The Witch, too (thank you!) and do seem to focus ever so slightly on indie horror and thrillers. In June they’re releasing Hereditary, a spooky looking family drama starring Toni Collette, already drawing comparisons to The Exorcist. The trailer is deliciously creepy and the film features elaborate dollhouse miniatures, which I am very excited about also.

Until the next round up of news on a Tuesday, darlings…be good and don’t forget to Bind Trump!




The Best Witchy Media of 2017, Part 2: TV

And now, some TV!

  1. The Handmaid’s Tale ~ Hulu’s adaptation of Margaret Atwood’s groundbreaking 1984 dystopian novel was very timely. In an America (now called Gilead) where fertile women (now rare due to environmental toxins lowering birth rates) are enslaved to make babies for the ruling classes, based on a tyrannical religious leadership that takes over by violent coup, we see parallels to our own nation’s descent into authoritarianism. Even for those unfamiliar with Atwood’s novel or the first film based on it, this show was an artful and sobering experience. Elisabeth Moss plays Offred, a young woman forcibly separated from her husband and daughter when they try to escape capture by government thugs. Her life is regimented and controlled: she must dress, speak and behave according to the bizarre rules of Gilead, a right wing evangelical community that rules with guns, rape and torture. Survival for the women enslaved means being clever, secretive and very patient. The show’s radical visuals inspired a resistance movement where women dress in the iconic red and white garb of handmaids to protest legislation limiting women’s reproductive freedom. The centrality of women’s power within culture is a constant topic here; and one that modern pagans and witches, who ushered in the goddess worship movement, will find to be necessary viewing. (My longer review from the Orlando Weekly is here.)


    Alexis Bledel and Elisabeth Moss in The Handmaid’s Tale

  2. Twin Peaks: The Return ~ This much-anticipated continuation of David Lynch’s groundbreaking TV series Twin Peaks (which premiered on ABC in 1990) did not disappointed attracted many new viewers to this weird and wonderful world. Kyle MacLachlan gave the performance of the year as whipsmart, compassionate FBI detective Dale Cooper, who, as Twin Peaks ended more then two decades ago, found himself possessed by the psyche of a sadistic killer. Showtime produced this new series, although somehow missed having it debut on the 25th anniversary of the show, despite having a clearly defined moment when Cooper dreams himself twenty-five years into the future. We find out (well, more or less) what happened and how other well-loved characters have fared over the years as new mysteries descend on the tiny Northwestern town of Twin Peaks. The cast, including many new characters, is excellent, and the musical performances ending each episode are brilliant (my brother was a couple of episodes ahead of me. I certainly recommend seeing the first two seasons, and maybe the prequel film Fire Walk with Me, before you dig into this sublime, beautiful, mystical oddity. Coffee and cherry pie optional.


    Kyle MacLachlan in Twin Peaks: The Return

  3. American Horror Story: Cult ~ I’ve been a big fan of this anthology show from the beginning, despite my frequent complaints about how uneven the writing can be. The only season I have not yet watched is AHS: Hotel, and I still think the first two seasons (Murder House and Asylum) are the best ones. AHS: Coven was promising but ultimately so disappointing. Two recent seasons, AHS: Freakshow and AHS:Roanoke, were very good, but borrowed rather shamelessly (and not in a “cool homage” kind of way, which of course this series is also known for) from other texts like The Blair Witch Project, HBO’s Carnivale, and The Witch. Still, I was excited to see this season that was framed by our recent presidential election and that referenced a number of cult figures like Andy Warhol, Charles Manson and Jim Jones, all played superbly by AHS regular Evan Peters, whose main character, Kai, is a blue-haired (the opposite or orange, get it?) right wing ideologue who runs for local office, emboldened by Trump’s victory. For me, it was rather traumatizing reliving Election Night 2016; and Sarah Paulson is excellent as a liberal voter whose stress causes her to have a near breakdown. The entire cast is superb as always, with regulars in cool cameos like Frances Conroy, Adina Porter and Dennis O’Hare, and some new cast members I enjoyed (especially Billie Lourd, Alison Pill and Leslie Grossman). The trajectory of the show did what it always does: opens up multiple story arcs and themes and then seems to juggle them willy-nilly as some stay in the air and some tumble down and fall away (although the creepy killer clown motif remains throughout, referencing IT and The Strangers, as well as AHS: Freakshow). Because this was was based so strongly in current reality and actual history, it resonated a bit more than usual with me.~~~~~~~Also recommended, some short takes:harlots-hulu-itv-canceled-renewed-590x279Samantha Morton and Lesley Manville in Harlots.

    Harlots ~ A brilliantly produced (women wrote and directed every episode) historic drama on Hulu about two rival brothels in 18th century London. First rate, white-hot cast (including Lesley Manville, Samantha Morton, Jessica Brown Findlay, Fenella Woolgar, oh, just a who’s who from all your favorite British films and TV), stunning costumes, authentic (and very saucy!) dialogue, plenty of sex and intrigue. Renewed for a second season and I. Cannot. Wait. (Orlando Weekly review here)

    The Keepers ~ Documentary series from Netflix exploring the orders of two young women in 1969 in Baltimore. One was a nun and teacher whose former students keep her memory alive as they search for clues to solve her murder. To say the church was implicated in this crime is an understatement. Beautifully filmed, suspenseful and fascinating.

    3% ~ A Brazilian series on Netflix that’s sort of like The Hunger Games meets The Cool Dharma Initiative Sequences of Lost. In a post-apocalyptic world beset by poverty and environmental decay, a group of young people chosen at random must pass a series of tests to be able to live in a land of beauty and plenty. Netflix automatically sets their foreign series to dubbing mode these days; be sure to switch to subtitles!

  4. Black Mirror (Season 4) ~ I am still processing these six episodes, but I have to say this show seems to get better with each season. There seems to be slightly less emphasis on social media this season, and more on the intimate, personal toll taken by technology in our lives. There’s a Star Trek-inspired episode (USS Callister) that wins a prize for sheer ingenuity and dark humor. One with terrifying robotic dogs (Metalhead) is a tour de force of special effects. Crocodile is a harrowing tale of a young woman caught up in a violent crime that tries to keep it secret for decades. Hang the DJ is a clever take on computerized dating apps, and it was my personal favorite (also one of my favorite songs from the 1980s). Arkangel, directed by Jodie Foster (and can you believe this is the FIRST episode of this show directed by a woman?), follows a single mom and the computer system she uses to protect her daughter from infancy through adolescence. The finale, Black Museum, is a complex, horrifying story of a doctor who invents a device allowing him to feel the physical sensation of others, and the chaos this creates in the hands of an unscrupulous sales rep.

    Aniya Hodge and Rosemarie Dewitt in Arkangel

    Stranger Things ~ Of course you’ve already watched this! And I love it so much I need a whole lot more space to even begin talking about it, so watch for that over the next few weeks…


    Winona Ryder in Stranger Things



    Some other cool pagan and/or occult, fantasy, horror, thriller, historical, dystopian, nerdy shows I have watched and love but am generally behind on: Riverdale, Turn, Peaky Blinders, Halt and Catch Fire, The Exorcist, Lucifer, The Americans, The Santa Clarita Diet, Atypical, Fargo, Better Things. Some shows that are on my list to watch ASAP: American Gods, Dark, The Marvelous Mrs. Maisel, Legion.

Witchy Media: The Best of 2017

Hello friends! A very happy new year to you all and I hope your Yuletide continues through Twelfth Night at least (the candles and twinkly lights have been a great comfort to me in the chilly Northeast these past few days).


Along with creating lists of the year’s best films and TV, it’s always a pleasure (although sometimes a daunting task) to round up the best of witchy, pagan and occult media for my readers. There were some excellent horror films and all around wonderful weirdness this past year, and I’m going to recommend some highlights. I’ve linked to more detailed reviews for some, and reviews will be forthcoming for others  (like Season 4 of Black Mirror which just premiered this past weekend), but I know some of you could use some recommendations now as we officially that dark post-holiday period when we look to storytelling for escape and insight.


From Ingmar Bergman’s Fanny and Alexander, a delightful Christmastide film.

Why do we do this? Of course, it’s for entertainment. But there is comfort in gathering ourselves around the screen to immerse ourselves in stories. Before television, people gathered around their big radios. Before that, cinema was a thoroughly exciting affair that people got dressed up for, or spent their last nickel on. Theatre has always drawn people too, and even Shakespeare understood the importance of making sure that poor folks had access to performances. Before lavish theaters were built, way back when, our ancestors gathered around their fires at night for warmth and light, and told stories of hunting and gazed on the animals and gods moving overhead in the shifting patterns of the stars. Humans try to make meaning from things around them, imbuing natural objects with spirituality, and crafting stories that, over time, become myths and legends.

Whew, that’s enough Marshall McLuhan and Joseph Campbell for one day. Okay, on to my list of things you should look out for! These are in no particular order.

Some films:

  1. The Shape of Water ~ Guillermo del Toro’s gorgeous dark fantasy is a suspenseful love story at heart. Sally Hawkins plays a shy mute woman who works as a cleaner at a shadowy government agency in

    Sally Hawkins & Doug Jones in The Shape of Water

    the 1950s, and lives platonically with a lonely writer  (Richard Jenkins). She discovers kinship and passion with a reptilian-human hybrid creature (Doug Jones) captured and tortured by her boss (Michael Shannon, excellent as a sadistic villain). Metaphors of The Other abound here (hey, it’s del Toro!), seeming to say that our deepest desires are nothing to be afarid of. The sumptuous cinematography, thrilling music and all-around excellent cast make this one of the year’s best films; and it is currently playing everywhere, so see it on the big screen if you can

  2. A Dark Song ~ Set in the North of England, this atmospheric film features two main characters: Sophia (Catherine Walker), a grieving young mother who hires Solomon (Steve Oram) to use ritual magic to contact her murdered child. The two hole up in a large empty house for months, performing various rites of purification, studying ancient texts, slowly moving towards their divergent goals. Viewers with knowledge of magic and the occult will appreciate the authenticity of the film’s details. This gets my vote for best horror film of the year; it is subtle, brilliant, moving and absorbing. My longer review is here.


    Steve Oram and Catherine Walker in A Dark Song

  3. mother! ~ This film garnered much attention when it was released earlier this year. Jennifer Lawrence and Javier Barden star as a couple living in and renovating a remote beautiful house; visitors begin arriving (Ed Harris and Michelle Pfeiffer are the first strangers to invade) and disrupt their peaceful lives. Oh, there’s much more to it. BUT. Do yourself a favor and don’t read reviews before you see it. Too many critics have explained the central meaning and symbolism of the story, and I think it’s best to discover these as you watch (I saw it knowing almost nothing beforehand but having seen a trailer that I found alluring, and already being a big fan of Aronofsky’s earlier films, like The Fountain, Requiem for a Dream and Black Swan). I wrote some further thoughts here for when you are ready.
  4. Get Out ~ Writer-director Jordan Peele’s feature debut is just stunning: a funny, brutal satire that manages to be one of the most significant achievements in the horror genre in years. A young African-American man (Daniel Kaluuya in a

    Daniel Kaluuya in Get Out.

    brilliant, subtle performance) is brought by his white girlfriend (Allison Williams) to a family gathering, and terror slowly but surely ensues. Peele has said this is Guess Who’s Coming to Dinner re-imagined as a horror film; and just as that film sparked discussion about race relations in America at a time it was sorely needed, Get Out has done the same. Humor and satire both soften and sharpen the edges of our awareness; attention must be paid, and, as we move forward in an uncertain world, white people have much work to do.

  5. My Life as a Zucchini/Ma Vie en Courgette ~ This charming French animated film is about a young boy who is forced to live in an orphanage. There he meets other troubled, lonely children like himself, build by some and befriended by others. Unsentimental, but very moving, the story of Icare/Courgette and his new friends is the story of every child who has felt like a misfit, who has felt unsure of who to trust, and who feels worried about the future. There are plenty of humorous moments along the way, and even some cool homages to films like The Eternal Sunshine of the Spotless Mind. A dubbed English version is available (with voicing by Ellen Page and Amy Sedaris, among others), but I am only familiar with the subtitled version, and I think much of the charm of the story’s French idioms might be lost in translation. My review for Diabolique is here.


    My Life as a Zucchini (artichoke pictured in background)

Some other 2017 films you may want to check out: Ladybird (she wears a pentacle around her neck!), Kedi (a documentary about street cats in Istanbul), Personal Shopper, Dawson City: Frozen Time, A Ghost Story, Call Me By Your Name, God’s Own Country, The Other Side of Hope, The Square, The Lost City of Z, Okja, The Florida Project, Marjorie Prime, War for the Planet of the Apes, The Killing of a Sacred Deer, It Comes at Night, Wind River, Coco, Woodshock, The Devil’s Candy, and The Lovers.

This round up of media continues with some notes on TV and books, in separate posts lest this one gets too long. Lastly, on a personal note: It has been a very busy autumn season followed by a crazy busy December. I was still doing garden work for clients in December, believe it or not. There was unexpected travel. Teaching was busy. I got some new writing gigs. This blog has not been priority, alas, but that will soon change. I am taking a semester off from teaching to write a book on witchcraft and media. I’ll keep you posted. I hope you’ll keep reading. Best wishes in the new year to you all.

Tuesday Muse, News & Reviews: Samhain Edition!

Greetings of Hallows, my lovelies. I trust you are celebrating appropriately tonight, or when true Samhain (the cross quarter) comes on November 7th. Hallow tide is best celebrated over a period of a few days, in my opinion.

My birthday has just passed and I am still celebrating! For one thing I have not baked a cake yet and plan to do that tomorrow. Tonight, after I come home from my class at the botanical garden where I am studying towards a certificate in horticulture, and after my weekly viewing of American Horror Story: Cult at a friend’s house, I will re-do my altar to honor my ancestors. A sad task but one which, this year, I am looking forward to with a sort of solemn sense of duty and hope.

I am planning some reviews for you this week (I have just finished Alice Hoffman’s new novel, The Rules of Magic, the prequel to Practical Magic, and it’s pretty wonderful), and maybe some news. But first things first: it is worth noting that months’ worth of binding spells, targeting our dangerous president Trump and all who aid and abet him,  have shown some dramatic results this week, with the first or what will be a series of indictments brought on my the Mueller investigation. May the committee’s work proceed apace and may justice be done, may truth be revealed and may integrity be restored once again to our government. So mote it be!

Today I offer a list of my favorite witchy movies for this witchy week of wonders. I am currently reading Ronald Hutton’s new book The Witch: A History of Fear from Ancient Times to the Present, which explores, in scholarly in-depth fashion, the legacy of the figure of the witch around the world. So, these movies, which of course often traffic in stereotypes, are really resonating with me right now. Feel free to chime in and add your own favorites!

  1. 20090326-The CraftThe Craft (1996) Really, is there any movie about witches that has had so much influence? Teenage girls in the late 1990s began to flock to the internet (newly made accessible to all) for spells, lore and any and all things related to witchcraft. The current witchy revival is still influenced by this film’s aesthetics.
  2. The Wicker Man (1973) Okay, it’s not specifically about witches, but its treatment of old-world paganism practiced by contemporary Scottish folk has had profound influence on the contemporary pagan community. It’s downright weird, thrilling and beautiful.wickermanorig1b
  3. Practical Magic (1998) Romantic, funny and suspenseful, this popular movie is based on Alice Hoffman’s gorgeous novel of the same name; who wants to bet how quickly the prequel novel will be made into a sequel film? My bet is within two years; I am toying with trying to acquire the rights so I can try my hand at the screenplay. I was disappointed that the film version of the first novel left out the very interesting details of the lives of Sally’s adolescent daughters; but then again, by bringing the aunts “to life” and giving them such vibrant personalities (due in part to great performances by Dianne Wiest and Stockard Channing), the film just may have made that prequel novel possible.
  4. The Blair Witch Project (1999) This low-budget work of genius inspired a whole new genre of horror (the “found footage” film) and left many audiences terrified, and not a few people convinced it was all real (despite ample evidence to the contrary). The sequel, Blair Witch 2: Book of Shadows is also worth checking out, and if you didn’t I did a bit of witchy advising on that film, well, now you do.
  5. love-witch-the-2016-001-nude-dancing-circle-ORIGINALThe Love Witch (2016) Anna Biller’s unique and original film is a sort of homage to 1970s horror, and a wonderful satirical take on the image of the witch as seductress. Biller, who also designed the costumes and props, studied Wicca ceremonies to give the film a chilling air of authenticity. I can’t recommend this colorful, clever, irreverent film highly enough. You may find it shocking, but that is also part of its charm.
  6. The Witch (2016) A beautifully made, horrifying tale of a family that emigrated from England to the New World, a land awash in superstition and harsh reality in equal measure. When bad luck overtakes their farm, their teenage daughter is suspected of witchcraft. The film’s authentic dialect and quiet intensity may be off-putting to some viewers at first, but stay wth it and you’ll be rewarded with some of the most intensely horrific scenes imaginable. A witch movie for the ages, with excellent performances and stunning cinematography.

October: The Month of Media Witchery

witch_john_william_waterhouse_magic_circle_painting_casting_spellsAaaaand it’s October: that month when witches suddenly become a Very Important Presence (VIP) in media. Movies, TV, books, comics, games, cosplay-it seems every aspect of popular culture has gone through a witchcraft wave in recent years and lately it’s everywhere. This month I’ll be looking at witchcraft as a media trend that’s influencing everything from fashion to politics to social media.

After creating this blog in the spring (getting my own domain after deciding to leave Patheos), I immediately got very busy! But I’ve been brainstorming some features and columns and will begin posting regularly to give you the latest in witchy media & analysis. October 2017 will be full of excitement! Continue reading

Welcome to the Cauldron

Hello! You may already be familiar with my blog “The Witching Hour” from its years on Patheos and, before that, on Blogger. Today I have created a new site for my domain and invite you all to visit regularly!

There’s so much going on in the world of media right now that’s related to paganism, witchcraft and the occult. We seem to be experiencing an occult revival of sorts, and I’m excited to share my thoughts on all of it with you. Television in particular is a fertile landscape now: American Gods, the Twin Peaks reboot, Jenji Kohan’s new series The Devil You Know coming soon, and of course plenty of weirdness happening in shows like Sense8The LeftoversStranger ThingsThe Handmaid’s Tale, etc. And there are plenty of recent and forthcoming films I want to share with you (like The Love WitchA Dark SongThe LureKing Arthur, and more). Dystopia, science fiction and fantasy are all fair game at The Witching Hour…

I hope you’ll follow me here and invite others to find me at my new home! (and bear with me as I figure out the complicated world of WordPress and get some content up on this site!). Thanks for visiting and I hope you’ll come back often.witch dance